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EXPERIMENTAL MEDIA
This short documentary from 1951 gives a revealing glimpse into the process and techniques that Norman McLaren used to create sound for his films by drawing directly onto the sound strip of the film. I’m looking forward to experimenting with these techniques to create sound on the film stock I have purchased to create my experimental media piece with. I think the kind of sounds that this will produce will work well accompanying the images of the deep-sea life as they increase in pace and give them a strong sense of cutting in from the back of the Diver’s psyche. Having watched this, I’m now wondering if Pierre Hebert used a similar technique of creating sound directly on the film strip for the harsh percussive rhythms in his film Op Hop Hop Op. Comments are closed.
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AuthorMy name is Clay Sandford and I am currently studying an FDA in Film and Media Production at University Centre Weston. I have a keen interest in directing, cinematography and camera operating. Archives
April 2017
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